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Thomas Hirschhorn: Das Auge (The Eye)

With the work Das Auge (The Eye) I want to give a form which resists facts, which resist opinion and which goes beyond actuality, which reaches beyond information – that is why I invented the motif...

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Iñigo Manglano-Ovalle: Phantom Truck + Always After

Iñigo Manglano-Ovalle’s work utilizes sound, film and sculpture to engage viewers in phenomenological experiences that present and problematize sociological issues such as the history of modernity, the...

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The Long Glance

On June 3rd I turned my gaze away from Jackson Pollock’s 1952 painting Convergence after staring at it for forty hours. To enact The Long Glance, as I had titled my performance, I stood silently in the...

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The Plot and An Economy of Means-being-means

Storytelling feels like it’s been “out of fashion” for many years, perhaps as long ago as the late 1970s. At that time, political critiques began linking the form of narrative, on several fronts, to...

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An over attachment or excessive engagement that goes beyond the intellectual

Last summer I participated in a project called Group Affinity at the Kunstverein München, working with Cinenova, a collectively run feminist film distributor based in London, UK. I became part of a...

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Knowledge Held in Suspense: A Conversation with Kerry Tribe

Toronto-based writer Rosemary Heather spoke to Los Angeles-based artist Kerry Tribe during her solo exhibition Speak, Memory at The Power Plant (24 March – 3 June 2012). This excerpt is part of a...

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Unsettled Objects (The Alchemy of Dispossession and Display)

Tools for Conviviality, The Power Plant’s Summer 2012 group exhibition, presented a lively collection of work from ten artists and groups. This essay develops a reading of three works in the...

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Uncreative Writing

In Summer 2013, experimental poet and leading figure in the conceptual writing movement Kenneth Goldsmith led nine participants in an Uncreative Writing Workshop at The Power Plant in conjunction with...

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A Daze in the Life

The Clock collates many accounts of, attitudes toward and explanations for time—fateful, profound, naïve, romantic, comic, fatuous—the point being not to separate sense from fantasy from delusion, but...

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